Pedagogical Poem (Ilya Budraitskis and Arseny Zhilyaev)

is an interdisciplinary project based on research at the intersection of the history, contemporary art and pedagogy. Over 100 events were organised at the Presnya Historical Memorial Museum in Moscow in 2012 alone.

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The project «Pedagogical Poem» conceived by Arseny Zhilyaev and Ilya Budraitskis and organized by V-A-C Foundation is a unique interdisciplinary research conducted at the intersection of the history, contemporary art and pedagogy. A series of over 100 meetings took place between March and November 2012 at the Presnya Historical Memorial Museum. These series consisted of lectures and seminars led by Russian and international artists, historians, cultural theorists as well as master-classes of various artists. The project led to the formation of a group of permanent visitors and auditors of the series who had diverse professional interests. They were united by their interest in this project and common practices of creative cooperation.

The project culminated with the final exhibition «The archive of the future museum of history» devised by the participants of the «Pedagogical Poem» series. It took place at the museum as an outcome of the educational program and independent research work at the archive.

Museums do not always become spaces for open discussions; despite the considerable democratization that took place in the last century, the level of freedom and the competency of the exposition curators is still limited. The role of museums of modern history — the former Revolution Museums in Eastern European countries – is even more ambiguous. At the start of the XX century, they demonstrated to the world an unprecendented example of democratization and innovation — the formerly limited access for the public has been removed, workers have participated in creating museum expositions, private collections have been opened to the public and, at the same time, scientific approach to history has been developed. In addition, museums have incorporated statistical data and created thematic installations devoted to the history of the oppressed. Unfortunately, during the post-revolutionary period and the years of political stagnation, the museums have turned into the dogmatic tool of expression of the official ideology of the party. But at the end of the XX century after the collapse of the «real socialism», East European museum institutions not only lacked any novel methodological bases for their work but they have been forced to deny the reasons of their own creation.

The final exhibition «Archive of the future museum of history» was divided into the several zones that reconstruct the atmosphere of an archive. Thus, a professional museum excursion through memorable historical locales of the Presnya district engages in a dialogue with an improvised walk through places that are important for the personal histories of the participants of the Pedagogical Poem in the form of a documentary film. Central investigations have been devoted to the history of the transformation of the Presnya Museum. One important part of the exhibition is a public library, where anyone can get to know the lecture material and a collection of books connected with the central themes of the project. As a supplement to the exposition materials, dedicated to the event of the beginning of the 1990s, a miniature museum has been created of opposition print materials from 1991 to 2012.

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Sofia Gavrilova

ПС_медиаудар (1) (1)her artistic works draw on her background as a geographer. Recently, she was a participant of the www.gulagmaps.org project (Oxford University and Memorial, Moscow) dedicated to exploring the penitentiary system in Russia and Soviet Union.

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Sofia Gavrilova (Paris/Moscow), born 1987 in Moscow graduated from the geographical department of Moscow State University, completed her PhD in geography (cartography) and worked there as a researcher. In 2012 she graduated from Moscow School of Photography and Multimedia named after A.Rodchenko (Class of Art Photography).

Gavrilova’s interests, both scientific and artistic, are focussed on post-Soviet spaces and landscapes. She was a participant of the www.gulagmaps.org project, a collaboration between Oxford University and Memorial Moscow dedicated to exploring the penitentiary system in Russia and Soviet Union.

Gavrilova has been in residency at the School of Visual Art in New York (Summer 2012) and is currently at the Cité internationale des arts Paris.

Selected exhibitions:

To whom belongs the shadow of the parasol? (with Alex Korsi) – EKArtburo, Moscow, 2013

The seidge of the Leningrad – BrownStripe gallery, Moscow, 2011

Group shows:

The time fro repetitions – Triumph gallery, Москва, 2013

The photography of the future – NCCA, Moscow, 2013

Barbars – special project of the Biennale of Young Art, Fabrica, Moscow, 2012

No exceptions – the diploma exhibition of the Rodchenko School, МАММ, 2012

Show and tell – ЕКArtburo, Moscow, 2012

Indivisual – special project of 4th Moscow Biennale of Contemporary Art, MAMM, Moscow, 2011

Media Impact – special project of 4th Moscow Biennale of Contemporary Art, Artplay, Moscow, 2011

MediaAct – gallery Zhir, Vinzavod, Moscow, 2010

Annet:

The nominee for Kandinskyi art prize 2012

The nominee for Innovation art prize 2012

The laureate of Silver Camera prize 2011

Works in MAMM and private collections

Lives and works in Moscow

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Chto Delat? / What is To Be Done?

30_communal

whose name derives from “What is to be done?” by Chernyshevsky (1863) and Lenin’s eponymous pamphlet (1902), merges political theory, art, and activism. A self-organized platform for cultural workers since 2003, it politicizes “knowledge production” through reflections and redefinitions of engaged autonomy in cultural practice.

 

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Founded in early 2003 in Petersburg, the collective Chto Delat (What is to be done?) opens a space inspired by the urgency of merging of political theory, art, and activism. The members of the collective include artists, critics, philosophers, and writers from Petersburg and Moscow (see full list at website www.chtodelat.org).

The activities of the collective is realized in the form of art projects, seminars and public campaigns. The video works, installations, murals, learning plays, musicals, public actionsand radio programs produced by the collective have their own educational value as a first claim. The motto of all activities is: educate, entertain, inspire; and its goal is to undermine the way how cultural production is organized.

Chto delat has been publishing a bilingual newspaper in English and Russian on issues central to engaged culture. It focuses on the politicization of the Russian cultural situation in  dialogue with the international context. These newspapers are usually produced in the frame self-organised collective initiatives such as art projects, educational seminars and activist campaigns.

Recent solo exhibitions of Chto Delat have taken place at the Staatliche Kuntsthalle Baden-Baden (2011), Cologne Kunstverein (2011), Moderna Gallerija Ljubliana (2011) and ICA London (2010). Works by the group have been included in such notable exhibitions as Former West, Haus der Kulturen der Welt, Berlin 2013; the 10th Gwangju Biennial, Gwangju, South Korea (2012); Ostalgia, New Museum (2011); 9th Istanbul Biennale (2009); Plug-ins, Van Abbemuseum (2008). Chto Delat’s members are present at many important intellectual forums on art and theory.

http://www.chtodelat.org/

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Gogol’s Wives

is a collective of “director X”, who shoots films on social topics such as migrants; and “director Y”, a photographer, designer and civil activist, with films about Voina (A Road that Feeds Us).

Pussy versus Putin

Synopsis

Pussy Riot and its supporters are the main characters in this film, made by people who documented the punk band’s actions from the very beginning to their imprisonment: how the band was set up, their rehearsals, recordings, public events, being held by the police, their prosecutions and trial and the support rallies at the court house. This is not a typical documentary with a moralistic edit of reality; the viewer is left to make up his or her own mind…

Gogols wives

Short Bio

Director: X

Shot films on social topics: about people recovering from coma, migrants and her dad; civil activist and feminist.

Director: Y

Photographer, designer and civil activist; shot films about Voina (“A road that feeds us ” ) and other social topics.

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MEDIA IMPACT RE-ALIGNED

Media Impact

AN INTERNATIONAL FESTIVAL OF ACTIVIST ART

 

A JOINT PROJECT OF

MEDIA IMPACT AND THE RE-ALIGNED PROJECT

in MURMANSK
18-22 June, 2013

MediaImpact Re-Aligned

Participants

Arch, artist, activist (Murmansk)
Alexander Delphinov, poet, journalist (Moscow, Berlin)
Tatiana Kulbakina, journalist, activist (Murmansk)
Victoria Lomasko, artist, curator (Moscow)
Mary Notari, activist, The Yes Lab (New York)
Marita Muukkonen, curator (Helsinki)
Anya Sarang, public health activist (Moscow)
Ekaterina Sharova (academic, Oslo)
Ivor Stodolsky, curator and writer (Helsinki – Berlin)
Tatiana Volkova, art historian, MediaImpact moderator (Moscow)
Representatives of Kurant Gallery, Tromsø

Co-ordinated by Tatiana Volkova (Media Impact), Marita Muukkonen (Perpetuum Mobilε) and Ivor Stodolsky (Perpetuum Mobilε)

18 June

19.00 – press-conference

20.00 – “Feministic Pencil” exhibition opening (curators Victoria Lomasko and Nadia Plungian, Moscow). Excursion by Victoria Lomasko.

19 June

15.00 – Festival assembly. Introduction of participants

16.00-17.30 Tatiana Volkova. Activist Art and Tactical Media: World Development and Russian Experience.

18.00- 21.00  Anya Sarang, Alexander Delphinof.

Presentation of Narcophobia project. (narcophobia.ru)

Lecture “Repressive Reality of Russian Drug Policy”

22.00 music club

Performance of the Unknown Creative Collective (Moscow – Berlin)

20 June

15:00 – 16:30 Victoria Lomasko. “Social Graphic Reportage. My Experience”. Lecture and workshop

17.00 – 20.00 Mary Notari. The Yes Lab for Creative Activism (yeslab.org). Presentation and workshop

20.00-21.00 – mini-presentations of the projects of Murmansk participants – Arch Genius, Tatiana Kulbakina and others.

21 June

15. 00 -16.00 mini-presentations of the projects of Festival participants

16.00 – 19.00 Ivor Stodolsky, Marita Muukkonnen, Ekaterina Sharova. RE-ALIGNED ART presentation.

19.00- 21.00 – final assembly

 

FURTHER LINKS:

MEDIA IMPACT

http://english.mediaudar.net/2013/06/09/mediaimpact-re-aligned/

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PERM PORTFOLIO REVIEW

The Perm Portfolio Review was organised by Perm the Art-residence for the curators of the  RE-ALIGNED project.

A large number of Perm-based artists joined a presentation of the RE-ALIGNED project and discussed their work at the portfolio review.

Alex Vens a.k.a. Sad Face and other local artists as well as students from the ArtPolitika School were present.

FURTHER LINKS:

https://www.facebook.com/perm.artresidence 

https://www.facebook.com/artpolitikaschool

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Moscow Research

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AFTER THE PREFIX “POST-“, St. Petersburg

Philosophical Café on the RE-ALIGNED ART PROJECT: Talk and Discussion at GEZ21 (Gallery of Experimental Sound, Арт Центр Пушкинская) in St. Petersburg

Лекция : После приставки «пост»

Рассматривается международный арт-проект Re-aligned art («Ре-ангажированное искусство»), включающий проведение конференций и выставок в Берлине, Хельсинки, Тромсо, Стокгольме. В рамках проекта исследуется возможность создания альтернативы уходящему постмодернизму через выстраивание парадигмы в области искусства, мысли и политики, базирующейся на новой интеллектуальной ангажированности, принимающей во внимание характерные черты актуального времени — сдвиги от частного к универсальному, от диалектики к мултилектике, от не-ангажированности к ре-ангажированности, от приставки «пост» к приставке «пред».

TV talk show about the RE-ALIGNED ART PROJECT, St. Petersburg, Russia.

https://www.facebook.com/events/490330324348002/

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Publication: A STATE OF PRE-

A STATE OF PRE-

Perpetuum Mobilε is editing a book on with authors and artists from around the world, reflecting on the discussions generated by the RE-ALIGNED project, linking them to the wider field. The thematic concept of the RE-ALIGNED Project provides the basis for this publication.

For a preliminary view of the topics to be covered, see A STATE OF PRE-

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NON-ALIGNED / RE-ALIGNED, Berlin

NON-ALIGNED
Lost Notes from the Underground
Invitation Side 1

RE-ALIGNED
…and into the fire.
Invitation Side 2

Curated by Ivor Stodolsky and Marita Muukkonen
of Perpetuum Mobile

Vernissage April 27th, 2012 at 17.00

another vacant space.
(event on facebook)

NON-ALIGNED
Lost Notes from the Underground

Locked in a wardrobe behind the artist Vladimir Semenov’s kitchen table for nearly twenty years, The Archive of Leningrad Conceptual Artwas discovered by Ivor Stodolsky and Marita Muukkonen during curatorial research for the retrospective survey exhibition The Raw, The Cooked and The Packaged – The Archive of Perestroika Artat the Museum of Contemporary Art, Kiasma, 2007-2008.

another vacant space.is a warranted way-station for these lost notes from the Russian underground.

Leningrad Conceptualism,unlike its famous and distant Moscow relation, was virtually unknown at the height of its activity. The Archive’s documentary evidence is like a report from the scene of the crime. Composed on crisp rice-paper, meticulously collected in numbered, Soviet-order folders, are the precise typewritten instructions for performances carried out in near anonymity by the group “Seminar” between 1986 and 1988. These exacting descriptions are accompanied by photographs, textual and graphic relics and traces. It is a unique work of Soviet bureaucraticism: all that survived of this ephemeral group of “non-aligned” marginals, save a few precious minutes of crumbling 8mm films, screened here at another vacant space for the first time.

RE-ALIGNED
..and into the fire.

The voice of the youngest generation of Russian non-conformist artists stands its ground in dialogue with both illustrious and newly discovered predecessors. In the large-format photograph which documents the street art work eternal flame, T-Radya, 23, paints with Molotov cocktails. His subject is memory. This surprisingly versatile artist’s work is exhibited here as a taster, a pre-launch of the forthcoming thematic exhibition project A RE-ALIGNED ART. This project commences at the Tromsø Kunstforening, Norway, in Autumn 2013. The work’s clear historical stance, its striking aesthetics, its arresting methods, all speak of a newly “re-aligned” art in our era.

PIRATE TV

For a little comic relief, bridging the era of the non-aligned and the re-aligned, lies the madness of 1990s post-modernism. This will be represented at the opening of NON-ALIGNED / RE-ALIGNED, by a screening of Yuris Lesnik, Vladislav Mamyshev “Monroe” and Timur Novikov’s unbearably amusing Pirate TV. Reporting from the Leningrad-St. Petersburg art scene at the height of the USSR’s catastrophic collapse, this mock television news show, which legend says hijacked the public airwaves, had the Soviet Union’s first public transvestite, Vladik “Monroe”, as its anchor news-woman..

About the Curators

Ivor Stodolsky and Marita Muukkonen are the co-founders of PERPETUUM MOBILE, a curatorial vehicle and means of mobilization. They describe it as a “conduit and engine to bring together art, practice and inquiry”. The current international RE-ALIGNED project brings their work on Russian non-conformist art at Kiasma into the present, and is projected to broaden its scope at further exhibition venues. Further ongoing processes, among others, are the Perpetual Gypsy Pavilion (Venice 2009) and The Arts Assembly (Manifesta 8). Ivor Stodolsky is a curator, writer and editor, whose theoretical practice is a background to much of Perpetuum Mobile’s investigations. Marita Muukkonen is a curator, known internationally for her work at NIFCA, FRAME and FRAMEWORK and HIAP TALKS.

www.PerpetualMobile.org

Press images, and further information please contact

anvaspace@gmail.com

Vernissage April 27that 17.00

another
vacant
space.

anothervacantspace.blogspot.com

Biesentalerstraße 16

Berlin D-13359

Germany

Deutschland

(U8 Pankstrasse, S-Bahn Bornholmerstrasse, Tram M23 Osloer Str./Prinzenallee)

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